Heyem was asked to meet up with her sister, Alexand, on a matter of urgency. (See Heyem Merek Part 2) She has very important things to do and isn’t impressed by the intrusion, as it breaks into her work schedule. (Painting on the wall behind, based on a print by Käthe Kollwitz, “Woman With A Dead Child,” 1903) (Note: When referring to Alexand’s ‘brood’ Heyem means Alexand’s children, Samuel, Ancille and Anastasia Merevija.) This story is set a few hours after and is directly related to Toreth Rek-cho, (issue 67) and will continue, (by request) with “The Other Side” (Parts 1 – 3) and conclude with “Toreth Rek-cho Part 4” (A special thank you to Pamela Spiro Wagner for encouraging me to continue this story and to stop taunting for once! On this occasion the reader gave life to a story and the writer kept it alive. Thank you Pam, the forthcoming issues wouldn’t exist without you.) (CLICK HERE for next chronological story)
Heyem Merek has run away from her former life. Her childhood, spent in poverty and her teenaged years in military correction. She is well educated and proud of her achievements. If only her identical twin sister, Alexand would allow her to forget about her past, completely. Things would be a lot less complicated and painful. (Artwork on the wall in drawing 2: by Frida Kahlo, “My Nurse and I.” 1937) This story also features Samuel, Ancille and Anastasia Merevija. CLICK HERE for next chronological story.