The writer gives life to a story, the reader keeps it alive.
After reading Guild Master Merek’s orders and ignoring them to pursue the remainder of her rehearsal, Ivana Cockatoo, threw herself into the most magnificent display of her drag career, even if it was only for twelve shady drag kings and queens and her husband, Antoine.
On her way back to her grandmother’s house, after walking her aunt Aïcha to the cottage, Eldenath heard footsteps approaching from behind. (Happy almost Birthday, Mum. You are one of the kindest, funniest and sweetest people on this earth. Thank you for all that you are and all that you do. Come on Barbie, let’s go party.)
Helga Ritter retreated from Gianti Dincrind’s laboratory, furiously intent on combatting the Amanojuko enemy. Unable to control this trigger, she feels sudden rage, something an Amanojuko Lady rarely experiences. She knows exactly how to cauterise this pain. (For new readers, please note, Helga Ritter’s views do not reflect my own. When fighting monsters, it is essential to understand the mind of our enemy in any world, reality, or fiction. LGBTQI+ and disability rights are human rights and a high proportion of the protagonists in Unbound Boxes belong to or are allies of these communities.) Featured song is “The Lavender Song,” (Das Lila Lied) written by Mischa Spoliansky and Kurt Schwabach in 1920.
